Extinct Typefaces

Can typefaces become extinct, like dinosaurs? Not quite, but they can become hard to find. Computers offer fonts galore. But one of the delights of being a letterpress printer is the ability to use fonts that are available only in metal or wood. Personally I love using typefaces you can’t find in font software or on the Internet. That way nobody will pick up my letterpress printing and say, “Did you do this on your computer?” Ouch! Not the best thing to say to someone who’s spent hours setting slivers of metal type by hand.

Here are a few of my favorite extinct typefaces. These are creations of the 19th century, though some more modern faces have become extinct, too.

Scribner, illustrated above and at the top of this page, can best be described as eccentric. The wiggly, curlicued letters, designed by the Central Type Foundry of St. Louis in 1883, seem to wander all over the place. Below is a piece we printed that takes advantage of this tendency.

The “Attitudes” piece above is printed in Grolier, an elegant MacKellar, Smiths, and Jordan script from 1887 designed by Herman Ihlenberg. This lovely face is hard to find, sadly. My husband Bob and I have metal fonts of it in 12, 18, and 24 point. Its fragile kerns have held up over time thanks to careful storage and babying. The design is timeless, as beautiful in the 21st century as when it was created. Below is a valentine that shows off some of Grolier’s gorgeous capital letters.

Vertical Writing is another favorite of mine that you don’t find available very often. Joseph W. Phinney patented it 1898 for the Boston branch of American Type Founders. Designed to look like informal 19th century handwriting, its letters appear to be fully connected and widely spaced. It’s surprisingly legible, and quite charming in an old-fashioned way.

If you’re sad because you don’t have “extinct typefaces” at your disposal, there’s a way to remedy that. Some of the older fonts are being recast and are available again.

One of my favorites is Freak, recently produced by Sky Shipley of Skyline Type Foundry http://skylinetype.com. This wildly eccentric 1889 gem is pictured below.

Yes, fonts are fun, and especially if you’re using one that very few people commonly see. Using extinct typefaces is a big perk of letterpress printing. It’s great to be able to share them with the world!

I Love Cuts : Cuts of Women

I absolutely love cuts! These metal or wooden printer’s illustrations are addictive to collect. Big cuts, small cuts, plain cuts, fancy cuts, cuts of people, places, or things – there is no such thing as too many cuts. They’re one of the first things I look for at any printers’ swap meet.

One of the things that fascinates me about cuts is the things they show about the time when they were cast. Most cuts are line drawings, so like cartoons they tend to exaggerate stereotypes and perceptions. One subject that especially shows this is cuts of women. They can be roughly dated by their clothing, the way they’re drawn, and sometimes by their appearance in a specimen book.

A group of cartoon cuts we have of women (probably from the 1950’s) shows cute young women bending over to file, burning dinner, and even answering the phone in a towel from the shower while still wearing high heels. A “typical” housewife sings along with her Bakelite radio as she dries the dishes. The mood is light-hearted and frivolous, almost a Barbie doll-like caricature.



The artificial cheeriness of 1950’s ads turns up in the cut of a cowgirl with a lipstick-outlined grin. The cut of a woman under a barrel-like hair dryer in a beauty parlor is probably more realistic.



Contrast these to a circa 1930’s cut of a woman vacuuming her steps with a portable vacuum cleaner. Probably created as part of an ad campaign, this little cut shows a hard-working, no-nonsense woman during the Depression years. But the cut of the mysterious lady with the hat over one eye from a similar time period projects an air of intrigue.



Our cuts with a 1920’s feel show women who are seriously glamorous: a lady in a ruffled blouse in front of her mirror; and an elegant socialite dancing in a slinky gown and feather headdress. There are more stylized images, too, of a woman drinking a martini, and one with ripples of Art Nouveau style hair.





A circa World War I era cut shows a lady shopper, apparently sneaking home with an enormous new Easter hat, judging from the bunnies in the picture. The huge hats women wore then were a common joke.


One of our older cuts of women shows a 19th century woman in sunbonnet and muslin gown holding a basket of flowers. Though the cut is a bit worn, she looks sweet and innocent, part of a more rural society. The detailed copper engraving is characteristic of 19th century cuts, and makes them well worth seeking out. Though not easy to find, some still hide in the back rooms of older print shops or the corners of antique malls.


I wish we had more cuts of women! I’d love to have cuts of Gibson girls, women in hoop skirts, women in bloomers, or Rosie the Riveter women from World War II. Just like a snapshot, cuts show the way women were viewed not so long ago. And they’re certainly fun to collect!